Ecole Nationale Superieure des Arts et Techniques du Theatre
Daniel Benoin
"Cache ta Joie", JP. Manchette-Daniel Benoin - 1980
Cache ta Joie, JP. Manchette-Daniel Benoin - 1980
"Cache ta Joie", JP. Manchette-Daniel Benoin - 1980
"Cache ta Joie", JP. Manchette-Daniel Benoin - 1980
Faust I,II -JW.von Goethe-D. Benoin - 1982
Faust I,II -JW.von Goethe-D. Benoin - 1982
"La cagnotte" -E.Labiche.-D. Benoin - 1983
"La cagnotte" -E.Labiche.-D. Benoin - 1983
"La chienne dactylographe" -G.Roignant-D. Benoin - 1983
"La chienne dactylographe" -G.Roignant-D. Benoin - 1983
"Autant en emporte le vent" - M.Mitchell-D. Benoin - 1984
"Autant en emporte le vent" - M.Mitchell-D. Benoin - 1984
"Autant en emporte le vent" - M.Mitchell-D. Benoin - 1984
"Autant en emporte le vent" - M.Mitchell-D. Benoin - 1984
"Autant en emporte le vent" - M.Mitchell-D. Benoin - 1984
"Couple ouvert a deux battants" -Dario Fo-A.Duclos - 1985
"Le marionnettiste de Lodz" -G.Segal-JP. Roussillon - 1983
Bruce Springsteen -Stade Geoffroy Guichard - June 1985
"Tricentenaire de la Place des Victoires" -Paris- 1986
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staging "Le malade imaginaire" -Moliere-P. Boutron - 1987
Michel Bouquet, "Le malade imaginaire" -Moliere-P. Boutron - 1987
with Michel Bouquet "Le malade imaginaire" -Moliere-P. Boutron - 1987
"Deux sur la balancoire" -W.Gibson-B. Murat - 1987-1988
Patrick Dupond- "Danse a Aix" - 1988
Ballet Theatre de Nancy- "Danse a Aix" - 1988
Trisha Brown- "Danse a Aix" - 1988
Saburo Teshigawara- "Danse a Aix" - 1988
Carlotta Ikeda- "Danse a Aix" - 1988
" L'homme, la bête et la vertu" - L.Pirandello, Ch. Schiaretti- 1993
“Olivier Panhuys is a Show Business man…
For years, he has watched the actors of Theater, the Opera singers, the Music hall dancers and even for almost 10 years, the squires of the Cadre Noir de Saumur. This attentive, benevolent observation allows the performance to take place without incident, which is not so natural, but above all promotes a mood that engages the artists to give the best of themselves. This observer is demanding and his eye does not let anything pass easily. As the experiences crisscross, trust has settled between him and the artists. He knows intimately that the magic is fragile and that only an honest relationship with the real allows its eclosion.“
